Details
- article: Hitchcock and Powell: Two Directions for British Cinema
- author(s): Charles Barr
- journal: Screen (2005)
- issue: volume 46, issue 1, pages 5-13
- journal ISSN: 0036-9543
- publisher: Oxford University Press
- keywords: "English Hitchcock" - by Charles Barr, Alfred Hitchcock, Alma Reville, American Film Institute, American cinema, Anna Massey, Bernard Herrmann, Blackmail (1929), British Film Institute, British cinema, Careers, Caroline Alice Lejeune, Champagne (1928), Charles Barr, Charles Bennett, David O. Selznick, Derrick De Marney, Donald Spoto, Feature films, Film (International), Film (Productions), Film criticism, Film directors, Film history, Foreign Correspondent (1940), François Truffaut, Gainsborough Pictures, Herbert Marshall, Hollywood (California), Hollywood Films, James Stewart, Janet Leigh, John Grierson, Kim Novak, Laura Mulvey, Margaret Herrick Library, Michael Balcon, Michael Powell, Patricia Hitchcock, Patrick McGilligan, Performing Arts History, Personality, Psycho (1960), Rear Window (1954), Relationships, Relocation, Saboteur (1942), Spellbound (1945), Success, The Birds (1963), The Lady Vanishes (1938), The Manxman (1929), The Mountain Eagle (1926), The Pleasure Garden (1925), Torn Curtain (1966), United Kingdom, United States, Vertigo (1958), Westminster Cathedral, London, Young and Innocent (1937)
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