Details
- article: Champagne (1928): The Nation's Favorite Meets the Critics' Choice
- author(s): Amy Sargeant
- journal: Hitchcock Annual (2013)
- issue: volume 18, pages 1-41
- journal ISSN: 1062-5518
- publisher: Hitchcock Annual Corporation
- keywords: Alain Kerzoncuf, Alfred Hitchcock, Anna May Wong, Anny Ondra, Betty Balfour, Blackmail (1929), Bright Eyes (1929), British Film Institute, British International Pictures, Champagne (1928), Charles Barr, Clifford Heatherley, Coburg Hotel, Bayswater Road, London, Downhill (1927), Easy Virtue (1928), Eliot Stannard, Ewald André Dupont, François Truffaut, Gainsborough Pictures, Gordon Harker, Grace Kelly, Graham Cutts, Ivor Novello, Jack E. Cox, Jack Trevor, Jean Bradin, John L. Russell, John Russell Taylor, Literature Film Quarterly (1983) - Hitchcock's "The Lodger", London Film Society, London, England, Maurice Elvey, Maurice Yacowar, Michael Powell, Montgomery Clift, Mr. Memory, New York City, New York, Noël Coward, Oxford Street, London, Pamela (The 39 Steps), Piccadilly Circus, London, RMS Aquitania, Rachael Low, Raymond Durgnat, Rich and Strange (1931), Richard Hannay, Sabotage (1936), Strangers on a Train (1951), The Farmer's Wife (1928), The Lodger: A Story of the London Fog (1927), The Passionate Adventure (1924), The Pleasure Garden (1925), The Ring (1927), The Sea Urchin (1926), The Skin Game (1931), Tom Ryall, Walter Charles Mycroft, Young and Innocent (1937)
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