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- article: Phantom Limbs: Film Noir and the Disabled Body
- author(s): Michael Davidson
- journal: GLQ: A Journal of Lesbian and Gay Studies (01/Jan/2003)
- issue: volume 9, issue 1-2, pages 57-77
- DOI: 10.1215/10642684-9-1-2-57
- journal ISSN: 1064-2684
- publisher: Duke University Press
- keywords: Alfred Hitchcock: Centenary Essays (1999) edited by Richard Allen & S. Ishii Gonzales, Alfred Hitchcock, Anthony Perkins, Barbara Bel Geddes, Bette Davis, British Film Institute, Dramatic arts, Film, Film genres, Film noir, Grace Kelly, Human body, James Stewart, John Hodiak, Karen Hollinger, Kim Novak, Laura Mulvey, Laurence Harvey, Leo Braudy, Linda Williams, London, England, New York City, New York, Norman Bates, Pam Cook, Peter Lorre, Production Code Administration, Ray Milland, Raymond Chandler, Rear Window (1954), Rebecca (1940), Richard Allen, Robert J. Corber, Robert Walker, Sam Ishii-Gonzales, San Francisco, California, Screen (1975) - Visual pleasure and narrative cinema, Sidney Bernstein, Slavoj Žižek, Spellbound (1945), Strangers on a Train (1951), Susan White, Tania Modleski, The Women Who Knew Too Much: Hitchcock and Feminist Theory (2005) by Tania Modleski, The disabled, Tom Helmore, Vertigo (1958), William Bendix
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