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• The Times (13/Mar/1929) - The Film World: Through unknown Australia
  ...ny cinema in three hours and without any extra expense to the owner of the cinema. A demonstration of the machine will be given at the Scala Theatre on Tuesd [[Category: Articles about Juno and the Paycock (1930)]]
  5 KB (879 words) - 13:24, 10 July 2014
• The Times (19/Dec/1930) - Sound and dialogue films: recent experiments
  ...had no difficulty in covering, as with cloths of gold, the whole field of cinema production. The more experienced architecture of the silent picture, never ...both sides. One of the most fruitful examples of sound manipulation comes from Germany, where G. W. Pabst, director of ''The Joyless Street'' and ''The Lo
  7 KB (1,203 words) - 11:14, 17 January 2014
• The Times (17/Apr/1919) - Film Audiences
  ...taking up points in a film. One reason why British films had not made more progress in the United States was that in many cases the American picture theatres w Mr. Engholme admitted that while they got some splendid films from the United States, they also got some outrageous "duds," and now that the w
  3 KB (477 words) - 12:35, 17 January 2014
• The Times (30/Jul/1929) - The Talkies: Dialogue and sound films
  It is the purpose of these articles to discuss the talkies in detachment from the wild campaign of publicity that has attended their introduction; to rev ...arning greater profits than in the past, and it seems fairly safe to argue from American experience that, when once the novelty of talking films has worn o
  35 KB (6,039 words) - 12:09, 17 January 2014
• Hitchcock Annual (1998) - Hitchcock's "The Mountain Eagle"
  ...to a "synopsis." Thus, our hopes of obtaining a full treatment of the film from this source are dashed. ...ck literature, Noble (6-7), Yacowar (29-30), Sloan (49), but they all stem from the ''Bioscope'' review.
  80 KB (12,642 words) - 22:37, 5 March 2015
• CineAction (1999) - Looking at "The Birds" and "Marnie" through the "Rear Window"
  ...], [["Hitchcock's Films" - by Robin Wood]], [[Alfred Hitchcock]], American cinema, Artistic Representation (Imitation), [[Bruce Dern]], Character, Feature fi ...and tear), but the perception of them will vary from viewer to viewer and from age to age: in that sense there will always be more to say (or sometimes to
  36 KB (6,011 words) - 08:09, 23 February 2015
• CineAction (1999) - A Domestic Trilogy
  * keywords: ''1950s, [[Alfred Hitchcock]], [[Alma Reville]], American cinema, [[Andrew Britton]], [[Christopher Emmanuel Balestrero]], Cultural influenc ...eals with the post World War II nuclear family. The statistics that emerge from this period and confirm the 50s as the definitive family values era are fai
  64 KB (10,230 words) - 07:24, 23 February 2015
• Literature Film Quarterly (1999) - It's the cold war, stupid: An obvious history of the political Hitchcock
  ...it sound self-evidently obvious. If everybody knows that Hitchcock's films from [[Strangers on a Train]] to [[Psycho]] use the discourses of national secur ...ile tone. How could I miss the point that if some apparently neutral films from a given period had a political subtext, many others would as well? Just as
  48 KB (7,776 words) - 12:15, 12 February 2015
• CineAction (1999) - The Use of Glass in Alfred Hitchcock's "Blackmail"
  ...red Hitchcock]], [[Blackmail (1929)]], [[Bodega Bay, California]], British cinema, [[Donald Spoto]], Europe), [[Eve Kendall]], Feature films, Film (Internati ...et. To one side of the shop is the family dining and sitting room, divided from the shop by a glass wall, half-curtained. In the shop itself is a telephone
  26 KB (4,424 words) - 08:13, 23 February 2015
• The Quarterly of Film Radio and Television (1956) - Notes on the British Cinema
  * article: '''Notes on the British Cinema''' '''Notes on the British Cinema'''
  28 KB (4,570 words) - 09:41, 17 January 2014
• The Telegraph (08/Apr/2006) - Film-makers on film: Dominik Moll
  ...he strangest and darkest films, not just in [[Hitchcock]]'s career, but in cinema in general," says [[Dominik Moll]]. "It's gloomy, desperate, and almost imp ...the pleasure he took in fabricating them. He understood the specificity of cinema, how you can tell a story with film in a very different way than in a novel
  6 KB (911 words) - 09:40, 18 January 2014
• The Guardian (01/Jun/1994) - Obituary: Sidney Gilliat
  ...lly played by [[Basil Radford]] and [[Naunton Wayne]], provides one of the cinema's most reliable pleasures. Launder and Gilliat were the Charters and Caldicott of the cinema, expressing a light-hearted Englishness, refusing to take the world or them
  4 KB (614 words) - 18:59, 2 February 2014
• The Times (16/Jan/1994) - Malice before thought
  ...ou use it to draw the much-needed, long-gone female audience back into the cinema? Certainly not by tempting them in with the mandatory gang rape, as film di ...sically the sexual psychodramas, usually directed by [[Alfred Hitchcock]], from the better years of Hollywood. They have nicer sofas and worse music, but w
  13 KB (2,188 words) - 16:07, 17 January 2014
• The Times (13/Apr/1961) - Unconvincing film satire
  ...roduced and directed by Mr. Bruce Humberstone and to be seen at the Rialto Cinema, is based on a novel called the ''Build-Up Boys'', and "build-up boy" is as ...to one of repellent glamour. As Clint, Mr. Andrews ages visibly during the progress of the film, and no wonder.
  3 KB (441 words) - 12:48, 17 January 2014
• Critical Inquiry (2010) - Hitchcock's Hidden Pictures
  <indent>''Miller talks about [[Alfred Hitchcock]]'s hidden pictures. First, from [[Strangers on a Train]], something obvious, literally obstructing the way. First, from [[Strangers on a Train]], something obvious, literally obstructing the way.
  60 KB (10,185 words) - 07:27, 23 February 2015
• Literature Film Quarterly (2003) - Hitchcock Without Hitchcock
  ...t's film differs from the long cycle of earlier films extending or quoting from Psycho {{-}}Psycho 2, Dressed to Kill, and so on{{-}}"not in kind, but only ..., the Van Sant Psycho was trading on a relationship that made it different from all other films: its status as a remake of the father (or, more accurately,
  53 KB (8,621 words) - 15:55, 12 March 2014
• Hitchcock Chronology: Alfred Hitchcock
  * '''25th''' - {{Hitchcock}} graduates from St. Ignatius College.<ref>{{DSG}}, page 24.</ref> * '''12th''' - Alfred Hitchcock's father, William Hitchcock, dies from chronic emphysema and kidney disease.
  170 KB (25,657 words) - 23:00, 15 July 2021
• Sequence (1949) - Lindsay Anderson: Alfred Hitchcock
  ...arden (1925)]], [[Thornton Wilder]], [[Under Capricorn (1949)]], [[Waltzes from Vienna (1934)]], [[Young and Innocent (1937)]]'' ...o the flair for popular showmanship that is characteristic of the American cinema. It is significant that the most widely celebrated of all British directors
  34 KB (5,515 words) - 13:30, 8 March 2014
• Film Quarterly (2008) - Second Time Around: "Vertigo"
  ...ething in the film — a line, a shot, a musical phrase — brings me back from these absent states, I hardly know what I regret more — losing the fierce ...ridescent steering wheel on Scottie’s De Soto Firedome, which looks made from mother-of-pearl rather than plastic, and whose regular stippling seems to p
  26 KB (4,442 words) - 08:13, 23 February 2015
• Journal of Popular Film & Television (2001) - The Sounds of Blackmail: Hitchcock and Sound Aesthetic
  <blockquote>''Cinema is form.''<br />{{-}}Alfred Hitchcock (Samuels 233)</blockquote> ...s (Bordwell 301). The result, as Bordwell asserts, is that in the American cinema sound was never really "a radical alternative to silent filmmaking"; rather
  34 KB (5,406 words) - 08:13, 23 February 2015