Details
- article: Canetti and Hitchcock: Crowds and Power and North by Northwest
- author(s): Lesley Brill
- journal: Arizona Quarterly (01/Dec/2000)
- issue: volume 56, issue 4, pages 119-146
- DOI: 10.1353/arq.2000.0008
- journal ISSN: 0004-1610
- publisher: University of Arizona
- keywords: A Hitchcock Reader (1989) edited by Marshall Deutelbaum & Leland Poague, Alfred Hitchcock, Canetti, Cary Grant, Chicago, Illinois, Cinema, Crowd, Crowds and Power, Donald Spoto, Drama and the Theatre, Dramatic arts, Elias, English Literature, Eva Marie Saint, Eve Kendall, Film, Find the Director and Other Hitchcock Games (1991) by Thomas M. Leitch, Fredric Jameson, Frenzy (1972), German literature, Hitchcock Annual, Hitchcock's Films (1965) by Robin Wood, Hitchcock's Films Revisited (1989) by Robin Wood, Hunters, James Mason, Leland Poague, Leo G. Carroll, Lesley Brill, London, England, Madison Avenue, New York City, New York, Marian Keane, Marshall Deutelbaum, Martin Landau, Masse und Macht, Michael Wilding, Mount Rushmore, South Dakota, New York City, New York, North by Northwest (1959), Notorious (1946), Phillip Vandamm, Prey, Prose, Radio and Television, Robin Wood, Roger O. Thornhill, Sabotage (1936), Saboteur (1942), Saul Bass, Secret Agent (1936), Sidney Gottlieb, Slavoj Žižek, Stage Fright (1950), Stanley Cavell, Strangers on a Train (1951), Tania Modleski, The 39 Steps (1935), The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures (1976) by Donald Spoto, The Birds (1963), The Hitchcock Romance: Love and Irony in Hitchcock's Films (1991) by Lesley Brill, The Lady Vanishes (1938), The Man Who Knew Too Much (1934), The Women Who Knew Too Much: Hitchcock and Feminist Theory (2005) by Tania Modleski, Thomas M. Leitch, Topaz (1969), Torn Curtain (1966), Twentieth Century, United Nations, New York City, New York, Vertigo (1958)
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